an ambitious but ultimately ineffective debut endeavor.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

A farmer called Jack kills a giant and rescues a princess Elaine for which he is rewarded. Later the princess is kidnapped again and Jack goes in pursuit and along the way encounters witches, mutineers, a cabin boy, a Viking and a leprechaun who speaks in rhyming couplets before getting to grips with the main villain Pendragon in his remote sea bound castle. Not as good as a Ray Harryhausen movie (which it is obviously aping) but not bad. The special effects are variable but the costumes and settings are attractively colourful and the musical score by Paul Sawtell and Bert Shefter adds to the adventurous atmosphere.Kerwin Mathews as Jack is typically Kerwin Mathews and Judi Meredith as Elaine fares better in her hypnotised evil role than as the bland princess. Fortunately Torin Thatcher plays Pendragon and is most enjoyable as the magician coveting the kingdom. Surrounded by strange looking witches, wearing an odd hat and mouthing silly dialogue he is still commands the screen when he is on. He's one of British acting's unsung heroes. Anna Lee has a small part as Lady Constance and is regally beautiful as always.It's entertaining enough but could have done with a little touch of Harryhausen.

"Jack the Giant Killer" has long had a bad reputation. It was only last night that I learned just how much it deserves it. My one-star rating is not so much for the film (which is mostly sub-mediocre, with a few clever things), but a condemnation of its being a terribly obvious copy of "7th Voyage of Sinbad" -- so much so that Columbia threatened to sue "Jack"'s producer, Edward Small."7VS" was one of the few Harryhausen/Schneer films that made money on its initial release. Small must have figured that lightning could strike twice at exactly the same spot, so he "borrowed" (ie, stole) many of "Sinbad"'s elements * -- and not very well.I won't go into the details (fans of fantasy films will want to discover them on their own). But the giants are so-obviously copies of the Cyclopes in "Sinbad", it's embarrassing. Jim Danforth was supposedly told to have them move like Harryhausen's critters, and they do. Exactly. (This would probably have been a major legal point had Columbia sued.) Danforth was never as good an animator as Harryhausen. His work is often stiff/jerky and missing the wit that animates Harryhausen's characters. The gulf between mechanical skill and true talent is obvious.It doesn't help that the stop-motion figures are Just Plain Ugly. I don't mean ugly as in "nasty and frightening", but ugly as in cheap- and shoddy-looking. Parts of them look as if they were made from junk found in a trash can. The human costumes are similarly ugly, gaudy, and excessive, rather than fanciful.The one thing Small shouldn't have borrowed was Kerwin Matthews. Matthews has long been in the running for "Dullest Movie Actor of All Time".The script is mostly dull exposition and verges on the inane. About a third of the way through the film becomes actively boring (despite the on-screen action), provoking a "When will this be over?" reaction.In fairness, Pendragon's "vanishing cloak" is a superb optical effect, absolutely seamless (at least on a TV screen).Had Small tried to create something original, it might have been a classic. It is, instead, a classic example what happens when you mindlessly steal from your betters.* He even swipes from the Cocteau "Beauty and the Beast".

Even though this film's budget is not less than The 7th Voyage of Sinbad, the producers still managed to make an excellent movie. Jack the Giant Killer is just an attempt made to cash-in on the success of The 7th Voyage of Sinbad made 4 years ago, there are two Cyclops in Sinbad and there are two giants in Jack. Both films have an evil magician. In Sinbad, a Cyclops fights a Dragon, in Jack, a Two-Headed Giant battles a Sea Monster. And in the final part, the hero slays a Dragon, a similar theme in both films. Despite the similarities, Jack the Giant Killer is almost as good as Sinbad. The stop-motion animation are not up to Ray Harryhausen standards, but the three animators did their best. The animated creatures include Cormoran, the first giant Jack killed, an unnamed Two-Headed Giant, a Sea Monster with tentacles for limbs and a Dragon which is actually Pendragon that Jacks slays at the climax of the film. The plot is very entertaining, the acting is solid, Kerwin Mathews is perfect for fantasy movies like this and is charming as Jack, Judi Meredith is almost as beautiful as Kathryn Grant and Torin Thatcher is forever terrifying as the evil wizard Pendragon, the evil grin on his face and his Bela Lugosi Dracula stare makes him a perfect villain. Coupled with some dazzling visual effects and wonderful animation of the creatures, this action filled family-fantasy movie is sure to entertain children with its fantasy theme and please adults with the plot and special effects. I highly recommend this film.

It's the fairy tale land of Cornwall, England, and the Black Prince Pendragon (Torin Thatcher) plans to abduct Princess Elaine (Judith Meredith) so as to gain control of the land. However, his plans are at first thwarted when farmers boy Jack (Kerwin Matthews) slays the giant sent by Pendragon to claim the Princess. But Pendragon is not to be denied and a battle between good and evil commences.There's quite a back story to this United Artists feature film. It's loosely based on the traditional tale "Jack the Giant Killer" and features the use of stop motion animation. The mere mention of stop motion automatically brings to mind the great name of Ray Harryhausen. In 1958 director Nathan Juran had helmed The 7th Voyage of Sinbad with both Matthews and Thatcher starring as the good and evil characters respectively. A big success for Columbia, Harryhausen had offered it to UA producer Edward Small who turned it down, much to his regret. So here, four years later, he gathered the same crew for what essentially is a retread of the plot of Sinbad's seventh in the hope of replicating said success. Harryhausen, however, said no, perhaps understandably, so his creatures were created for "Jack" by Project Unlimited under the watchful eye of one time Harryhausen understudy Jim Danforth. While the other effects, filmed in "Fantascope" come courtesy of Howard A. Anderson and Augie Lohman.Columbia sued Small on the grounds of plot similarity, thus holding up the release of the film in the UK for several years (it wasn't banned as some people seem to think). Once released the film was panned by the critics and many parents were outraged that the film was too violent and scary for youngsters. Small would take this personally and intending to make something of the movie, had it re-dubbed and made into a musical. The result of which is just garbage. Thankfully the film was finally restored to its original glory on DVD and found a whole new generation of fantasy adventure fans with a bent for the lost art of stop motion animation. Kerwin Matthews passed away in 2007, a handsome swashbuckling actor, Jack The Giant Killer was his last foray into the fantasy adventure genre. It's at least comforting to know that he got to see this little treasure of a film finally get accepted by an audience.The film itself delivers everything one expects of the genre. The creatures are effective, even if the jerkiness shows that it's not Harryhausen at the helm; tho this is off set by a wonderful sequence as electricity cloaked witch demons attack Jack's ship. There's a dashing hero, a pretty princess, a vile and chilling evil doer, hell there's even the little imp of the lamp (Don Beddoe) for some limerick shenanigans. From its delightful story book opening to its final battle between hero and villain, Jack The Giant Killer is a rich and playful fantasy. 7/10