This Movie Can Only Be Described With One Word.

Sadly Over-hyped

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Close shines in drama with strong language, adult themes.

Dustin Hoffman's character Jason Fister is sent to Rome to track down the million dollars a deceased gangster named Mike Madigan (Cesar Romero) left behind.Giorgio Gentili's Madigan's Million was shot in 1966 but wasn't released until a couple years later, in 1968.Dustin Hoffman had gotten some name to himself with The Graduate so they brought this to the big screen with much less success.It is Hoffman who saves the show.He steals the show from the moment he stumbles on the screen till the moment he hops off the screen.This is totally and completely a Dustin Hoffman show.There are other actors too who aren't bad at all.There are people such as Elsa Martinelli, Gustavo Rojo, Fernando Hilbeck, Riccardo Garrone and so on.And let's not forget those few minutes in the beginning with Cesar Romero.I recommend this movie solely to Dustin Hoffman fans.Others don't be bothered.

OK, so "Un dollaro per 7 vigliacchi" (aka "Madigan's Millions") is pretty much all low humor, with a pre-"Graduate" Dustin Hoffman as a witless government agent sent to Italy to find the million dollars that a murdered gangster (Cesar Romero) kept hidden. Still, the movie elicits a certain charm, as he irks the police, leaves a lawyer in an embarrassing position, and causes a wacky chase through Rome. If absolutely nothing else, it's neat to see Dustin Hoffman in an early role. Personally, I wish that he would do more comedy (think "Tootsie" and "Meet the Fockers").So, it's worth seeing if only for that. And because Elsa Martinelli was really hot!

In spite of the low rating of this film I got interested in it as I wanted to see an early Hoffman's performance and the story sounded interesting.So I watched the film and I think it isn't bad at all.Yes,it has its weak points but there is plenty of humor and fun in it.Some scenes can really make you laugh.The mixture of comedy and crime works in my view and the reason for that is mainly the wonderful Hoffman ,who makes a very good role.There is even a car chase in the movie which isn't bad for a film made in the 1960s.The plot is interesting,maybe it isn't so well written but it won't bother you and you'll probably find the movie nice.The supporting cast is also good:Elsa Martinelli,Gustavo Rojo,Ricardo Carrone,Fernando Hilbeck and the others do their job well.

This Spanish-Italian crime comedy is another Sidney Pink production (see my review of FICKLE FINGER OF FATE) and stars the young Dustin Hoffman as Jason Fister, a bumbling treasury agent who is assigned to a case in Rome because the people in his home office want to get rid of him. His task is to track down a million dollars stashed away by a former gangster turned insurance man, played by Cesar Romero whose role must take all of five minutes. Although this film was not released in the US until 1969, from reading producer Sid Pink's autobiography I got the impression that it was made right before THE GRADUATE. His performance here is very good--kind of like a more subdued Jerry Lewis (or is that a more subdued Sammy Petrillo?). Having his voice post-synchronized later hurts a bit, but Mr. Hoffman does his best, and I found the film to be a harmless yet enjoyable lowbrow comedy, not too different in feel from such Pink productions as FICKLE FINGER OF FATE or WITCH WITHOUT A BROOM. It's certainly more of a success than, say, Who is Harry Kellerman? or Dick Tracy (not to mention Ishtar!). Hoffman shows that even in this early point in his career he is entirely capable of carrying a film by himself. Mainstream audiences might be put off by the dubbing or the low-budget production quality, but if nothing else it proves that Mr. Hoffman can make a Franco and Ciccio movie as well as Franco and Ciccio could have done! The scene where Hoffman plays both Fister and his enforcer "Red" is priceless and could have come from a Harry Langdon short at Columbia or Educational--high praise coming from a Langdon fan such as myself! Now, if only Alfredo, Alfredo will come out on video in the USA...