Don't listen to the Hype. It's awful

As Good As It Gets

There are better movies of two hours length. I loved the actress'performance.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

This is one of my favorite movies. Barbara Hershey is awesome. The portrayal of the bayou is very realistic, claustrophobic, eerie, and downright real. It's kind of a feminine Deliverance. I'm glad I saw this when it came out as it is hard to find now--not on DVD. Definitely worth it. Should have been up for a few Oscars. Why can't it be out on DVD? This is an important film also in that it shows there is more drama to the swamp as landscape that one would think with all the swamp creature movies out there. Yes, there really are creatures in the swamp, but there are also people, just like us. The brothers are also great and the cinematography is stupendous.

Barbara Hershey won Best Actress at the Cannes Film Festival for her performance in Andrei Konchalovsky's "Shy People". The movie portrays a magazine writer (Jill Clayburgh) and her daughter (Martha Plimpton) taking a trip to the Louisiana boondocks to meet a distant relative (Hershey). As the movie progresses, we learn not only about the relative's various kinds of superstitions, but also about the secrets that the great uncle held, and how they relate to some current rifts in the family.Probably the movie's best aspect is how it dignifies country people. While making it clear that these folks have some backwards notions about things - namely that the deceased man is still watching - Konchalovsky never makes them look stupid. Also, we get to see rural Louisiana (although it may have changed in the past twenty years, especially after Hurricane Katrina).If anything mildly disappointed me about the movie, it's that I didn't get to hear more about Cajun culture. But then again, it's probably best that the movie didn't lose its main focus. I would suspect that the one boy was right when he accused the oil companies.All in all, worth seeing.

Well-photographed but purposeless film moves at a snail's pace and only occasionally manages to be compelling. Barbara Hershey convincingly changes her image but Jill Clayburgh is rather flat. The fresh-faced, talented Martha Plimpton, as Clayburgh's restless daughter, is by far the best thing in this film. (**)

This film seems at first pretentious and then very thoughtful.It begins as a shallow magazine photographer and her daughter travel deep into the Bayou to research their family history. As they meet and establish relationships with their cousins, the story evolves into a truly haunting display of modern life vs. isolation, and the ways in which people relate to each other. Barbara Hershey is especially excellent as a tough but deeply loving widow.