One of my all time favorites.

not as good as all the hype

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

This film is so real. It treats its characters with so much care and sensitivity.

'Vengeance is Mine' - also known as 'Sunday in the Country' - the plot of this Canadian thriller revolves around three deranged criminals who plan to force their way into a rural property to evade police pursuit. The film takes a while to warm up with over 40 minutes before farmer Ernest Borgnine and his granddaughter encounter the criminals at their home, but from the moment they meet, tension simmers. The film impressively avoids going in expected directions; this is not the typical home invasion film that one might anticipate, and without revealing too much, it can be said that the film questions whether we should sympathise with Borgnine, who overreacts to the home invaders. In fact, as the film wears on, he seems less and less mentally stable, with this gradual progression a testament to Borgnine's acting ability (by comparison, Michael J. Pollard is irritating throughout, even as he grows easier to relate to in the film's second half). Shot on location in rural Ontario, the film benefits from its isolated setting, which at first makes Borgnine seem all the more vulnerable until we realise just how hard it is for absolutely anyone to get help there given how far away the nearest neighbours are. 'Vengeance is Mine' might not have big shocks as in films like 'Straw Dogs' and 'Death Wish', to which it is often compared, but it comes with a quiet power and lingers in the mind long after it is over.

This baby fully represents my personal favorite kind of cult cinema! Released in the early 70's, obscure and almost completely untraceable, opening to the tunes of a moody and excessively outdated crooner's song whilst picturesque images of the peaceful countryside accompany the opening credits and – last but not least – introducing hard-laboring but conservative and slightly unworldly farmers as the lead characters. There's a proper name for this kind of movies and it's called "Hicksploitation". But "Sunday in the Country" is definitely more than just that! Obviously cashing in on the tremendous success of Sam Peckinpah's "Straw Dogs", this Canadian produced gem shamelessly glorifies urban violence and entirely revolves on the "protect what's yours" principle. It's also a revenge/vigilante thriller, but not the ordinary type. Usually the protagonists in revenge-thrillers themselves, or their dearest relatives, are subjected to torture and humiliation before extracting their well-deserved vengeance, but the lead character in "Sunday in the Country", farmer Adam Smith (another fabulous and expedient role of Ernest Borgnine), never really becomes directly affected by criminal violence and simply does what he does because he thinks the law isn't harsh enough. Smith is a seemingly noble widower, looking after his farm and granddaughter without ever missing a Sunday morning church service. On this particular Sunday, three relentless bank robbers (two of which resembling sophisticated bankers themselves instead of violent criminals) are at large in the countryside and have already butchered a young local couple before seeking refugee in Smith's secluded farming estate. But he's prepared for their arrival and grabs the opportunity to extract some good old-fashioned Biblical punishment on them rather than to notify the police. It may superficially look like a senselessly violent and sadistic exploitation flick, but "Sunday in the Country" is actually far more competent and inventive than it first seems. The plot juxtaposes two entirely different types of psychopaths and leaves it up to the viewer to decide who's the most dangerous. On the one side there's Leroy the outrageously spastic and most likely Atheist criminal and, opposed to him, the obsessively Catholic and stoically controlled trigger-happy farmer with his own brand of justice. It's a nice little psychological undertone to a seemingly bland and rough exploit movie. The violence & bloodshed is quite uncompromising, Ernest Borgnine and Michael J. Pollard are amazing (the rest of the cast can be ignored, though) and the atmosphere is undeniably 70's. A must-see for hillbilly-connoisseurs.

***SPOILERS*** Pulling off a number of bank robberies that resulted in the deaths of two bank tellers this trio of ruthless gangsters run into two local youths on the side of the road in the open countryside. Needing a different car, with new license plates, the three bank robbers Dineili Ackerman and LeRoy, Louis Zorich Cec Linder & Michael J. Pollard, cold-bloody gun down the driver Timmy Peterson, Ralph Endersby, and his girlfriend Jennifer Logan, Susan Petrie, and then head for the open highway. Finding that all the roads out of Field County are blocked by local and highway police the three take off on foot looking for a place to stay until the heat's off and then make their escape. Seeing this farm in, what seems like, the middle of nowhere the three killers descend on it like a pack of wolves first cutting the phone lines and then pompously walking up to the front door to make their grand and murderous entrance; they didn't know it at the time but they'll find out soon enough that they walked right into the teeth of hell.Disturbing and violent vigilante-like movie that leaves you in a state of shock with Ernest Borgnine as the peaceful and church going farmer Adam Smith. Adam uses his own brand of biblical justice, to avenge the blood of those who these three murderers spilled, that in a way made him far more vicious then his gangster victims. At home with his grand daughter Lucy, Hollis McLaren, Adam spots through the window the killers moving in on his house and, knowing who they are and what they did from radio reports, sets a trap for them. Blasting the #1 man, Dineili, of the trio almost in half with his shotgun as he was allowed by Adam to entered the house Adam takes the other two, Ackerman and LeRoy, prisoner and puts them through such a hell that in the end they wished that the police got to them before Adam did. Even though Adam Smith is well within his rights to defend his home and farm from the three criminal desperadoes what he did to them makes you wonder just who's more of the villain and psychopath in the film him or they. Instead of holding the two remanding bank robbers captive until the police come to take them into custody, like his grand daughter Lucy wanted him to do, Adam put them though the ringer by almost hanging them in his basement, with only their tip toes keeping them for getting strangled. Later Adam has Ackerman run for his truck, to drive back to town and get the police to come over, as he turns his two dogs Peter & Paul on Akerman who tear him to pieces. LeRoy the most vicious of the three who Adam really wanted to do in gets saved by the police, whom Lucy got to come over, but later carjacks the patrol car killing the two officers. It's then when LeRoy comes back to the farm to get even with what Adam did to him that turned out to be the biggest, and last, mistake he was ever to make.Even though Adam Smith is the avenging angel in the movie it's hard to really like him even though he saves everyone, himself his grand daughter Lucy and farm hand Luke (Vladimir Valerta), from the three killers. I just wondered how many people watching the movie would want him as a next door neighbor!

Words fail to adequately describe how truly boring and depressing this film is. Basically we have to sit there for 90 minutes, waiting to see whether a complete a**hole will blow two other complete a**holes away or not. Oh, the thrill of it all! The performances are awful (Borgnine sleepwalks through his part, while Pollard looks as if he was stoned throughout the shooting), and the editing is catastrophic. An exercise in boredom that you should avoid. (*)