Strong and Moving!

Better Late Then Never

An action-packed slog

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Clearly made under the influence - not to say success - of Wings and Hell's Angels this is Three Comrades with aerilons. Robert Armstrong, Joel McCrea and Richard Dix, three intrepid flyboys find themselves fish out of water after 1918 and though there were flying jobs availably - barnstorming, flying mail etc - this doesn't seem to occur to them with the result that they reach a point when they haven't got change of a match and, as everyone and his Uncle Max knows, once you reach the lowest point you can the only way is up and so, in the fullness of time - something like one and a half reels - they wind up in Hollywood working largely as stunt pilots. This is where the plot takes off - sorry about that - as they encounter movie director Erich von Stroheim, a man who clearly read Les Miserables and thought Javert was the hero. We know from the get-go that it's destined to end in tears and so it does but not without some decent acting and diversions along the way.

The main reason to watch this movie is Erich Von Stroheim as Von Furst, he basically steals every single scene is in, and (spoilers) when he gets his you cheer. I like the Aviation scenes as well, and how "The Lost Squadron" portrays the difficulty of four servicemen returning home. Another standout is Dorothy Jordan as "The Pest." (the Sister of one of the Airmen Woody (Robert Armstrong)). The biggest complaint is about Mary Astor, who is the former love interest of Woody (Richard Dix), who gives it all up for Hollywood. Oddly enough, the exact opposite of Jordan, who did it for Producer Merian C. Cooper. This actress does nothing for me, and never did, and her disappearing act at the end does not help either. Was not a big fan of Joel McRae's (Red) in this movie either, a very weak character, who (spoilers)is the only one of the Airmen to survive (and ends up with "The Pest"). 8/10 Stars. It would be 10 without Astor & McRae.

With time running out to satisfy their taste for adventure and blood lust WW 1 pilots Gibson, Woody and Red take to the air and fight to the last minute before Armistice. The war over and out of a Woody (Bob Armstrong) followed by Gibson ( Richard Dix) and Red (Joel McCrea) gravitate to Hollywood to do what they do best, fly stunt planes. The work is dangerous but they are use to it. The danger increases tenfold when Von Furst (Erich Von Stroheim), a tyrannical director with a thirst for realism as well as a wife who once had the hots for Gibson attempts to pull off two for the price of one; get the shot and lose the wife's former lover. Woody in the, throes of alcoholism takes the fall however. With the war over and no more dogfights to involve itself in Squadron is no Wings but it does offer up some fine aerial acrobatics to go along with its swift and a touch incredulous pace. The trio of pilots do their macho posturing (including a bird throwing sequence) adequately enough while Beth Jordan and Mary Astor wait with anxious trepidation on the ground. But it is the opportunity to watch Von Stroheim go into directorial rant that in retrospect gives the Lost Squadron its bite.

You should probably know that I love airplane films--particularly one with vintage planes. So, I have a bias towards this sort of film and some may NOT be excited in seeing the biplanes flying about during the movie (even though many are post-WWI planes when they are supposed to be WWI aircraft).Richard Dix, Robert Armstrong and Joel McCrea play three buddies who served in the Air Corps during the war. However, now that about a decade has passed, they are forced to make a living working stunt flying for a sadistic film director (Eric Von Stroheim). Eventually, just how evil the director is and the depths of his evil come to light and this leads to a dandy, though grisly, conclusion.Interestingly, of the three pilots, the least famous and important was McCrea, as he was not yet an established star. The other two (Dix and Armstrong) were big names, though only a short time later they were relegated to "has-been" status. All did a decent job and the film, though a bit tough to believe, was entertaining and was more than just a time-passer.