The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

A clunky actioner with a handful of cool moments.

Worth seeing just to witness how winsome it is.

It's amazing that a sequel to The Unborn was ever made, considering how much it borrowed from other more popular, more successful films; although inspirations such as Child's Play and It's Alive did indeed gain multi-film franchises. The absurdity of the first film is doubled for the sequel: the plot is even more ludicrous, the acting is just as hokey, the hideous baby prop got uglier and the slayings are just as laugh-out-loud funny. The Unborn II is pure schlock, but is actually quite entertaining despite numerous flaws - it's a cheesy, obscure B-movie that lives up to the ridiculousness of its predecessor.The opening scene is a shocking child execution at gunpoint as Linda Holt (Robin Curtis) continues on a serial killing spree, crossing off the names of her infant victims. After blowing away a baby point blank at a maternity ward (followed by an unlikely gunfight with security guards, accompanied by the screams of dozens of babies in the same nursery), Linda goes in search of Catherine Moore's child Joey.Catherine (Michele Greene) is a writer who just moved into a new home with her super smart, horrifically deformed six-month-old baby Joey. Little does she know that Linda was also a patient of Dr. Meyerling, a crazed scientist who conducted genetic experiments with the hopes of creating a race of superior humans, and that her child Joey is an extremely intelligent, murderous mutant mastermind who has been brainwashing her into doing its bidding. Nosey neighbors, a careless babysitter, child protective services and more threaten to uncover the secrets of Joey's existence - leading to a bloodbath no one can escape.The Joey doll has gotten even more visually disturbing than the plastic babies used in the first film; it's constantly slimy, covered in blood and emitting guttural cries. Unfortunately it's just as recognizable as an electronic puppet prop. There are a few surprises, however, even if the story is full of holes. Friendly neighbor John (Scott Valentine) presents the biggest mystery, although Catherine's survival skills are also highly questionable. Through the course of the film she falls through a ceiling, down a staircase twice, and battles the cunning baby - all while nursing a bullet wound and neck and leg injuries - and continues to get up, barely flinching, and certainly unable to waste a moment to dust herself off. Perhaps even more comical is the close-quarters shootout in Catherine's kitchen in which dozens of bullets are discharged and no one is hit.The camera frequently spins around and quickly cuts to front angles and back shots of the characters, allowing for Joey to keep jumping out at opportune moments. The scares are rarely sincere, although suspense is hinted at a handful of times. Many segments make absolutely no sense, accommodating for struggling moments of terror - Catherine is left to clean up a bloody murder scene in her own home while waiting for Joey to reappear, and child protective services agents cautiously enter her home as if they were a bomb squad looking for explosives - surely they didn't know the child was a superhuman killer when they were called in.Sadly The Unborn II is set up for a third part when Linda's hit list includes one more name below Catherine's - unfortunate because a third film was never made. It may sound like a complete waste of time, but there is, surprisingly, a high level of trashy fun in this wholly goofy series.Mike Massie

"The Unborn II" is a decent if completely underwhelming film.**SPOILERS**Moving into a new house, Catherine Moore, (Michele Green) a children's book writer, quickly meets neighbors Artie, (Darryl Henriques) and Marge Phillips, (Carole Ita White) along with their daughter Sally Anne, (Britney Powell) who immediately test her nerves. As her and her new baby adapt to the community, a series of vicious killing of babies soon starts, done by Linda Holt, (Robin Curtis) a woman who knows what the baby really is. Realizing that she is gunning for her son, Catherine goes on the run and is forced to admit that her baby is a homicidal maniac. As Linda and Catherine continue to argue over what her child really is, they realize that she's been telling the truth. Fearing the worst, they race to stop the baby before it's reign of destruction that will give away it's special secret.The Good News: This one wasn't all that terrible. The big scene was a great shootout in a hospital waiting room for newborns. It's a pretty inventive location for such a scene, plays out like any normal action scene that manages to really thrill. It's also pretty remarkable that the enemy doesn't kill off anyone but the good guys manage to score a hit, making them look that much more realistic-appearing rather than them just getting knocked out quite easily. There's also some really nice gore in here, including several incredibly brutal face biting, a really bloody throat rip, lots of scratches and blood splattering, and some gunshots thrown in as well. While not overtly graphic there's enough blood in here to make it interesting. It also manages to successfully build up to the creature's distorted appearance, as there's a real anticipation towards what it looks like. These are the film's lone bright spots.The Bad News: This one here does have some flaws in it. One of the biggest ones is that this doesn't really do much of anything. There's not a whole lot in here that happens beyond a few scenes that simply pass over. None of the action really makes much of an impact, and they're too short and spread too far apart that, they take forever to get to them then they pass over like they're no big deal. There's a couple of gunfights, a car chase and a large massacre scene in here, but they're too tame to really pick the movie up. It's incredibly low-key, to the point of it not really making a dent in the excitement. This really does take an eternity to get moving, keeping it all at the end and leaving the front filled with short, underwhelming action scenes. There's also the problem of the main protagonist. It looks too much like a joke to ever be taken seriously. The slime coating on it gives it too much of a rubbery appearance, the distorted features are simply way too comical to make an impact and it's scenes border on the sublime rather than the horrific. It's not even a frightening looking design that's given to it, as the features on it are so out-there and unnatural that the only form of recourse is uncontrolled laughter rather than fear. That is perhaps the film's biggest flaw.The Final Verdict: While not completely terrible, there isn't a whole lot here that make it worthwhile for most horror fans. It's too cheesy for most to take seriously, and it's attempts are horror are underwhelming, leaving this one only open to those who have a deep love for these kind of films or those that love the concept.Rated R: Graphic Violence, Graphic Language and children in danger

Sequel to the average 1991 horror flick, this one relies on a paper thin story with few surprises. A single mom with an infant moves into a suburban neighborhood. Before long her baby starts killing people (a couple social workers, the babysitter and her boyfriend, etc.). Also on hand we have an angry woman who is one the loose gunning down children who we discover are the evil offspring of the original film's mad doctor villain. The special effects are pretty dumb and the killer baby looks like an ugly doll. The movie goes nowhere with it's chintzy story and the shocks the movie sometimes gives us to keep us watching are pretty tame. The un-thrilling conclusion takes forever to wrap up and the movie's obvious attempts at humor (with the nosey neighbors) are cringe-inducing. Michael McDonald (Mad TV), who is out of character here, is fun to watch in an early pre-comedy role, but otherwise, avoid it. One Star.

I found this horror gem in a local store and bought it. I watched it yesterday's night and was a surprise for me. I love B movies and this was very satisfying.In order to enjoy this kind of movies, you have to switch off your brain. After that, you have to pretend that the primitive animatronic baby is real (at least in the movie).Finally, don't pretend to find Oscar's performances for the actors.After that, enjoy an excellent movie. The plot is good and believable, tha acting is OK, the music score is excellent.In my opinion, it deserves a 5.0My advice, look for it in your local video rental, and enjoy.