Truly Dreadful Film

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Really hard movie to describe, it's definitely a art-house project but a entertaining one that never feels to pretentious for it's own good despite it's multilayered and multidimensional bizarreness and existentialistic nature.Despite having a somewhat serious message it has a high dosage of comedy and moves on at a refreshingly fast pace as well (these sort of experimental movies usually doesn't).With some entertaining performances from the likes of Alison Pill, Tyler Labine, Michael Eklund, Jason Priestley and and albeit I didn't recognize him: Gael Garcia Bernal (as the animated Eddie).Pill and Labine's characters work at a sex-doll facory specialising on the most realistic looking dolls in the business and there are a lot of sex references which might be a little too much for some people but I found it all fairly fun.Overall if you are looking for something different than this will definitely do the trick.

Spoiler-light. An artist draws a comic book about a film director; the director makes a movie about a novelist; the novelist writes a book about the artist. The movie shifts back and forth between the three stories, with none of the characters aware that they're directly affecting someone else's life. The artist (Alison Pill) works in a factory assembling sex dolls, which only strengthens her desire to have larger breasts. The director (Gael García Bernal) finds himself at odds with producers... and his own body. The novelist (Mariana Ximenes) dumps her boyfriend and gives up her modeling career to pursue her dream of writing.If you can wrap your brain around the strange narrative (and don't mind the sight of bare breasts, which the actual director seemed rather preoccupied with), this movie's thoroughly entertaining. Without question, the standout segment is the artist's, which kicks off the film and forms the backbone. The movie hangs firmly on Allison Pill's shoulders, and she exudes a lovable charm which engages you as her situation goes from kind of odd to downright bizarre. The director's segment ranks a distant second, but the entire thing is rotoscoped (filmed and then animated) which gives it a surreal beauty. The weakest link is the novelist's portion, though it certainly isn't the fault of any of the actors - the problem is that this third vignette is entirely devoid of the overt humor which pervades the other two stories.It's sort of a shame that there IS a weak link here, because this film is completely unique and has so much going for it. It's not perfect but it's one of those movies where it feels like everyone involved was pouring their heart into it, so the result is kinda magical. The performances are excellent across the board, the animation has a wonderful hand-drawn feel to it, the cinematography is exquisite, the music perfectly accompanies the visuals, it's well-paced and feels like a much bigger-budget film than it actually is. And then there's that ending. I literally had a big, dumb grin on my face all throughout the climax... though I recognize that what so greatly amused me could easily be off-putting to others.The bottom line is that if you're the type who prefers offbeat indies to cookie-cutter Hollywood crapfests, there's a good chance that you'll love Zoom.

As a "prolific" reviewer, I have found over the years that many IMDb members do not use these reviews to check out a film before watching, they prefer to see the film first and then up-rate the reviews that "agree" with their Pov, and down-rate those that don't. So, as a courtesy to those who have not seen this film, I suggest that rabid fans of this production who have already seen it, and are looking for validation, just stop right here.That said, I didn't just like the first half-hour of this film, I loved it. Any movie that begins with the massively-talented and criminally under-utilized Alison Pill is automatically ahead on points. (She can do things with her eyes and glasses that many actresses cannot even do with dialog.) The fact that the setting for the opening scenes is a shop that makes sex dolls also was an interesting hook. I have seen a lot of movies -- arguably, too many -- but had never seen that trope before. Clever! As the story progresses, and Pill's character -- who makes sex dolls are a living -- is driven by a co-worker's callous comment to seek bigger breasts, well, again, clever and interesting and quirky as Hell.So far, so good.However, after a great beginning, the script takes a sharp segue into that whole "life imitating art imitating life" thing and, to be frank, which is the reviewer's job, none of that added to the power of the film, it only detracted.To some extent, this reminded me of the classic 1976 Allegro Non Troppo (recommended if you can find a copy!!) where once again the story tries to define the thin line between reality and non-reality.However in Allegro, there was a constant upbeat sense of joy and wonder to the film, which gave it power. In Zoom, all the cross-arcs -- the egoistical film director, the supermodel who simply wants to be respected as a writer -- actually remove power from the impact of the production.By the end of the story, when Pill's character suddenly finds herself in the middle of a "drug deal gone bad," I had to conclude this was a classic example of a good film which -- HAD THE SCRIPT SEEN ANOTHER FEW REWRITES -- could have been really great.

you've not seen this before, so it might be a bumpy night at the movies. just hang on. it's a great ride. gael Garcia bernal is a character in Amanda pill's comic book. she is a character in mariana ximenes novel, which she is writing as we watch the movie. sounds complicated, doesn't it. it's about body parts, cocaine, Hollywood, fetishes, pretty much you name it, it's here. a lot of the film is in portugese, with no sub titles. don't ask me. I have no idea. Jason priestly is here, too. he's pretty good and looks great. I know this is full of spoilers, but I can't explain this movie without telling you about it. don't worry, it won't be spoiled for you. the enjoyment is watching it all unfold. go. it's fun.