Why so much hype?

The greatest movie ever made..!

Powerful

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

I loved this show as a child, coming home from school and diving in front of the boob tube (when it still had a tube) and enjoying the adventures of the big eyed characters (speed racerlike) trying to save the world in the largest ship ever built... turned space ship.In every single episode they battle and battle, and just before the ship is about to be destroyed somebody decides it's time to fire the ultimate weapon, the WAVE MOTION GUN (do listen to the Marcy Playground song sometime) and they win the day.As an adult I just can't help but ask, why not fire the wave motion gun first, but I guess it would have made the show pretty short.I just noticed there seems to be an actual live action version of this, which led me to this review. Fun for kids of all ages, albeit a little silly.

The animation is a bit crude by today's standards, but only on the surface. Its style and heart are still unique and compelling, and clearly each frame is lovingly crafted. The music is phenomenal and moving, especially given that it was probably taken from the original 1974 film. The SF ideas presented (e.g. holography room, space/time warps, etc.) are borrowed by many films and series that have followed. The plots, though overly dramatic sometimes, are poignant and epic nonetheless. Overall, the series is rough on the edges, with many minor flaws such as character inconsistencies and scientific factual blunders, not to mention the gross inefficiency of using a seagoing battleship design for a space cruiser. However, the core of it is pure genius and I'm held in rapt admiration of it.The references to World War II are obvious: fighting an almost hopeless war against an evil, corrupt empire. The enemy leader, Desslok, even looks like a Nazi with the uniform he wears. The story is emotionally driven: fraught with patriotism, sacrifice, and the desperation to save Earth. The writers employ healthy doses of characterization and detail, something sadly lacking in most other series. Lots of morality and spiritualism are brandished effectively such as (paraphrased) "don't destroy other worlds in desperation, even though Earth will die in less than a year", "with great power comes great responsibility", "take pains not to harm indigenous life on other worlds", "take the blame for your actions and move on", "in spite of all the Capt has lost, he goes on, indomitable", and "your brother survives in you."Part of the series' attraction is the epic space battles. The see the animators craft the ships and their weaponry, and put them into action, is a sight to behold. "Space planes" soar in formation around the enemy and bristle with missiles and torpedoes. Weapons of mass destruction are brought into play to save the day. And the battleship Argo itself is such a work of art. Its splendor is shown off in a vast array of combat attitudes. They couldn't resist having the ship land in on an ocean, so that its seagoing superstructure and profile could be admired (powerfully reminiscent of the sea battles in our history). Overall, the heroic spirit personified by ship and her crew is exploited to the hilt, and it's hard to resist cheering for them in spite of the melodrama.

Along with Robotech, this series was one of those that shaped my childhood (I know, pathetic). Incorporating a love interest, David-vs.-Goliath theme, and some of the best in Japanese animation, this series is one that any adult could easily love as much as any child.

I remember this series only too well. It was only slightly cut for American audiences, leaving out only the actual deaths of characters (Mostly redshirt types, excepting Captain Avatar) when they were shot, blown up, or other. The characters were exceedingly well realized with backstories and CHANGES to the characters as their characters developed. Compared to the pitifully slaughtered 'Battle of the Planets' (Gatchaman, later re-translated into G-Force which managed to be better) or anything American animated series were planning on doing (He-Man, Bravestarr, etc ad nauseum), this series really shone. Only the 'Robotech' series came close, and that one suffered from trying to combine 3 Japanime series into one.Looking at the coming attraction scenes made me realize that some editing was done in the last episode of the 1st season. In it, a Gamilon was rushing into the cargo bay where Nova was trying to activate the CosmoDNA (The Gamilon boarding party was using a radioactive gas) Starsha had given them and Sandor was protesting that it might not be safe. In the actual ep, Sandor and Nova both turn to see the Gamilon enter, but we never actually see him, and Nova ends up wounded for no readily apparant reason other than the aforementioned gas. I am certain that Sandor shot the encroaching Gamilon, but too late to prevent Nova from being hit.There were several episodes where bodies were seen, if not the causes for their deaths. This marked it apart from anything else being shown 'for children' at this point. Considering that American animation seemed to be following the same rules that American comics were following (No death, sex, excessive violence, excitement, things of interest, plot development, etc) it isn't really a surprise that so many of us rushed home to watch it. (While at a meeting for my high school band, I came across several of the 'cool kids' singing the theme song together.)In my area only the first 2 seasons were shown, but my wife reports that she not only got just the first, but it didn't include the final episode where they return to Earth, never mind the whole Comet Empire season. After hearing that, I didn't feel so bad about missing the 3rd season.Just as a clarifying point for my faithful readers, though one of the crewmembers reported that Sgt. Knox had returned in another fighter, it was dubbed in. He died destroying the power center on the Comet Ship (In fact, none of the Marines they brought aboard survived the season). According to a later movie, Orion the engineer also died in the final ep of the 2nd season (Much to my sadness, I liked him). Also the chief pilot, Conroy died fighting the Comet Empire, but was replaced by his identical younger brother in the 3rd Japanese series, though the American series considered him to be the same character. (Nevermind that he was using a urinal when he spotted the Andremeda coming after them in the 2nd season's 5th episode. I wouldn't expect American TV to show that).I hope that the various petitions are successful in returning Star Blazers to television. While there are several interesting animated shows, with the exception of Roughnecks; the Starship Troopers Chronicles, that are merely interesting, Star Blazers was actually engrossing.