Howling IV: The Original Nightmare
Howling IV: The Original Nightmare
R | 01 November 1988 (USA)
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An author who was sent to the town Drakho, because of a nervous breakdown, gets wound up in a mystery revolving around demons and werewolves. She starts seeing ghosts and dismisses them as her own imagination, but when they turn out to be real she becomes suspicious of the odd town and of its past.

Reviews
ManiakJiggy

This is How Movies Should Be Made

Tockinit

not horrible nor great

Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Sharkflei

Your blood may run cold, but you now find yourself pinioned to the story.

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SoapboxQuantez08

The only flaw I want to emphasize is that the early scenes in this film, much like the opening credits, are too quick to be effective. This one (however) is more faithful to the novel than the original, and once you get past the first 15 minutes, it doesn't seem so rushed. Romy Windsor plays the vision-bound, introverted, semi-tolerated Marie. Neither Marie, nor her husband Richard, nor their friend Tom, believe in werewolves. Janice, an ex-nun, is the only one considering a werewolf-existence possibility. Marie/Richard met her in Drago, and Janice's belief in demons is probably what paved the way for her werewolf suspicions. Along the way, some peeps have vanished, including a hitch-hiking couple and the long-dead sister Ruth. When Marie discovers that the sheriff covered-up the disappearance of the pleasant hitch-hiking couple, or attempted to do so, tempers flare. There's more than one way to skin a wolf (or cover it's tracks), and it isn't by lying to red-riding hood. You can't run a successful werewolf business without breaking a few nuns, as it turns out. The lethargic and apathetic sheriff would probably agree. The main complaint here is the scarce on-screen werewolf time. But in my opinion, this is redeemed by acceptable performances, just enough atmosphere, and a classic 80's score.

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bettyboop-04186

Seriously, I want the 90 minutes of my life back that I just watched. This film is so badly written, I could have fallen asleep in the first 10 minutes. The acting is like a really bad soap opera, worse than the bold and the beautiful. There is no tone or pace, and no action happens until the last 10 minutes.It is not scary at all, and highly laughable, not a credit to the horror or werewolf franchises at all.The effects I suppose are decent for its time, there is s melting scene that was OK, but other than that, I think an episode of in the night garden is more scary ;)

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Dirty-English-99

Haunted by a series of unnatural happenings, a young writer, Marie Adams heads for the sanctuary of a rural hideout in a desperate bid to regain her sanity - only to find a horror far more deadly than her own deranged imaginings. From the depths of the forest he's calling, waiting for the full moon, to hunt Marie down... to take her on a terrifying journey into the gaping jaws of death. As night descends, the howling rises again to shatter the stillness of the night.This film starred: Romy Windsor, Michael T. Woods & Anthony Hamilton.Howling 4 is the best from the first 4 films but it is still crap, It's boring and dull. Again not recommended.**/***** Poor.

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Spikeopath

Back in 1976 as a wee boy I committed an act of youthful vandalism and readily managed to get one of my young pals blamed for it. On the 28th March 2014 I watched Howling IV: The Original Nightmare, this was an act of such cunning punishment I believe I was being paid back for my youthful misadventure. The Lord does indeed move in mysterious ways!So this one is closer to Gary Brandner's source material, but that doesn't excuse what a bad film it is. Basically it's a reworking of the original classic Joe Dante film from 1981, shifting the locale doesn't fool anyone, what follows barely registers as a Werewolf movie, let alone as a piece of entertainment. Acting is out of a Kinder Egg and the direction equally so. Justin Hayward's theme song is decent, and Godfrey A. Godar's colour toning for his photography is pleasingly appropriate, but this really only serves as punishment cinema.So, Robert, I'm sorry for 1976, you can consider your revenge well and truly enacted. Please consider the matter closed and don't summon up any more films like this for me to suffer. 2/10

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