A very feeble attempt at affirmatie action

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

This film believe or not was the first anime film I've ever watched and in my book is still the best. This is an underrated and forgotten gem, some current and newbie anime fans these days just don't have the patience to allow story to unfold and have to rely on an explosion a minute. Personally I don't mind the pace and length, just because some movies are long and have a pace that you don't agree with doesn't make them bad movies, in fact that's part of makes this film perfect it's an epic journey.Loosely based off of a manga mini series, there are just lots of things I love about this film from the way it has animated the background of locations and the detail of them, it really has the familiarity feel of real life locations from times long gone. What's even more memorable about the animation is some of the fantasy element involved, mainly in fight scenes which are well choreography. I like that it doesn't look like a clichéd Shonen anime fight where it's seems to be based on just simply trumping the enemy with superpower alone. This characters didn't have super powers but more had superhuman abilities, just seeing the way they move it really look like a lot of technique and strategy is involved which mad the action all the better because it seemed realistic. But also have a surrealistic and dream like quality to them, making them all the more interesting. Two of my favorites are the fight with the three Devil ninja, it played out like both a bad acid trip but also reminded me of some of those surrealistic Japanese landscape paintings which always had that wavy quality to them. As well as the encounter with the beautiful ninja Oyuki and how she uses her power of illusion over him which concocts multiple versions of her and the use of red coloring. These things literally play with our senses where it feels like the line between reality and fantasy is blurred, this is one of the main joys of the film because it's an exercise in expressionism which feels not just artistic but almost poetic and even brings out an emotional quality which is something I don't really see in most anime anymore.The music score is just excellent, from the theme song but my favorite the end theme song which is just beautiful. There are some memorable minor characters he encounters and has touched and affected their lives in a way. Oyuki is probably the most memorable minor character because she's the most sympathetic and soulful, both Jiro and her are enemies at first but as we see when he helps her they develop a deep bond. And there is a cameo by Samuel Celimens whom we know as Mark Twain, what was interesting about him was his fascination of Jiro is enduring when he tells his reason why which is rather deep and parallels his own life. The main villain Tenkai is very good, he is a villain you just plain hate, he's intimidating, hypocritical despite being a priest he is contradicting and perverting the religious teaching, a power monger, but worst of all just simply has no heart as he constantly is hurting Jiro for both his own gains but also just simply his sick pleasure.However the soul of this film lies in the main character Jiro. His path to the way of the warrior is one that is long and adventurous, but also carries a look of grief. The dramatic dilemmas and the twists that we see are like a Shakespearian tragedy, Jiro is a man who is constantly dealing with the loss of his murdered family. You feel heavy pathos for him all the way though, like in one scene where he's visiting the old village before the final conflict, he then remembers all of his family members, at that point I just teared up at the same time as him , it wasn't just the images that carried out the emotional impact but the sadness in his eyes. His long journey isn't just a simple quest for revenge but it's also about defending the human spirit against evil forces that want to mechanized the world. Indeed he encounters a lot of this evil in different forms from not just the ninja clan he fights and is on the run from, but political corruption, guns, and racism.This film has a deep residing philosophy all the way though which is about how one man can become more, make a difference as well as touch many lives. But most importantly that the human spirit is limitless and surpasses all things corrupt and mechanized.Dagger of Kamui is a nerve ending legend that's not just about Jiro but our own journeys in life as well.Rating: 4 stars

Interesting how all of the negative reviews for Kamui no Ken seem to have risen to the top. So I figured I might as well add my opinion just to keep this all in perspective. Yes, this movie is about 15-30 minutes too long. Yes, there are about 3 too many plot twists. And yes, the majority of the mainstream "We love Ninja Scroll" anime crowd will likely it. But Kamui no Ken has stuck with me over the years, and is easily one of my favorite anime titles.Rin Taro is a brilliant director, but his films take getting used to. He often uses a very slow pace, and allows periods of silence and dead space to make his powerful images have even more impact. Kamui no Ken is the long, winding oddessy of a young boy who goes from a foundling to a true ninja warrior. Many, many things happen along the way, and the movie chronicles ALL of them. This epic scope will either make the film fascinating, or boring. It all depends on you. Personally, I loved it. The characters are uniformly amazing, and as I have said before, the film is awash with brilliant imagery. It feels much closer to the style of classic Japanese historical drama than the splattering action of Ninja Scroll or the Kenshin OVA's (both of which I also loved).Problem... it drags. and it runs on for quite a long time. One plot twist in particular (MINOR SPOILER, NO SPECIFICS) involves the apparent death of an evil character. This will seem terribly implausible, even ludicrous, to American audiences (Although from the traditional Japanese storytelling perspective, this is much less far fetched). Individually, I can't think of many scenes to cut (one showdown in the wild west was perhaps unneccessary), but even these scenes are very cool in their own way. If this movie weren't so long and epic, it wouldn't be as interesting as it is.Basically, it depends on you. If you REALLY love the ancient japanese tradition, and enjoy the more serious, dramatic aspect to samurai/ninja tales, you will enjoy Kamui no Ken. But casual anime fans may be disappointed.

This movie was a little to long. It could have easily been shorter and considering what I thought of the movie it should have been shorter. I thought this ran for a bit to long, it was manly because it had a deep story to it. I just saw points that could have easily been cut out but weren't. The story had its highs and low, more lows then highs. And the lows kept the movie dragging along. The artwork in this was very familiar. Like I' ve seen it before, probably from Galaxy Express 999. One other thing I thought about this was what's the deal with the blood. The blood was bright orange. Blood does not need to be this bright and that colour. The people seemed to spurt radioactive Orange juice when they where killed. Anyways this movie was watchable. It's probably a little too violent and long for younger people. And the fact that it's animation my turn off adults.My review 5 out of 10.

What can be said about a movie that makes two hours seem like three weeks? The hero starts out in ninjaville, Japan, goes through an identity crisis (saving a shinobi), makes a voyage to America (saving a slave named Sam) engages in a little wild west action (saving a French/japanese native american named Julie), goes hunting pirate's gold, and then heads back to Japan to fight a war. The film obviously has no clue where it's going at any point in time; I think the director modeled each scene after the last movie he'd watched. If you're going to watch this film, I suggest renting the subtitled so you and your peers can openly discuss how dumb the movie is without speaking over the movie, potentially missing another dumb plot twist.Movies the director was watching during the making of this movie - An American Tail, Fievel Goes West, Star Wars, Indiana Jones, The Goonies, Teenage Mutant Ninja Turtles, Kung Fu, Vampire Hunter D, The Ten Commandments.Notes of Interests - Most fear inspiring line of all time. About 90 minutes (or 19 days) into the movie, the lead character has just bested an American villain, and just as one heads to the vcr to end the pain the hero proclaims "Let's go back to Japan", and the agony continues for another week.