When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

One of the worst ways to make a cult movie is to set out to make a cult movie.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

I enjoyed this old serial, the older they are usually the better they are. Its always fun watching Bela do his thing. I felt like this afternoon epic had a bit more plot than most and the action is there like you expect. There are some annoying bits like the overuse of flashbacks in the later episodes. On the other hand the repeat footage does help the viewer to make sense out of all the craziness. There seemed to be an excess of rad old cars...that's always cool. The leading lady was very pretty also which was good because there were only two women in the entire thing! There are lots of gunfights but almost no one ever got hit except for those nasty "flesh wounds". I really enjoyed the look of Whispering Shadow, the old clothes, pencil thin mustaches, and the motorcycle scenes were all wonderful. There were lots of truly dangerous stunts too and a few effects (like a helicopter crashing into a radio tower).Overall this is a very vintage but rather cool old serial. I got a kick out of it and it managed to build some real suspense in the last three or four chapters despite all the money saving flashbacks. Fun stuff for serial or Lugosi fans. Bela looked great and his expressions were a riot like always.

1933's "The Whispering Shadow" was Bela Lugosi's serial debut, and also the first that I actually purchased, because this was the only one of his 5 serials that had no feature version. The scenes in his elaborate waxworks prove to be the most memorable, although his character is one of numerous red herrings believed to be the title mastermind, whose identity revealed in the final chapter seems to be a real cheat. This Mascot serial lacks a musical score, which makes it stand out from the others Lugosi did, and doesn't really utilize him as the star. The next, 1934's 12 chapter "The Return of Chandu" allows him to be a genuine, two fisted serial hero (at age 51). He was the star villain in 1936's "Shadow of Chinatown," at 15 chapters the longest, but perhaps most enjoyable, since he works with beautiful Luana Walters, against former Olympic athlete Bruce Bennett (Herman Brix), with a supporting cast of familiar faces like Richard Loo and Victor Wong. 1937's Republic "SOS Coast Guard" was the only one where he was billed second, after hero Ralph Byrd, a well made 12 chapter slugfest, with less footage of Lugosi than the others, assisted by Richard Alexander (Prince Barin in Universal's "Flash Gordon") as the hulking, mute manservant. 1939's 12 chapter "The Phantom Creeps" was done at the familiar Universal studios, with a suitable supporting cast, including hero Robert Kent, Edward Van Sloan, and Lee J. Cobb, but among so many gadgets, the well remembered robot was played by Bud Wolff. Bela's batting average in serials was far better than Boris Karloff or Lon Chaney, although it must be stated that Boris did his last chapterplay before 1931's "Frankenstein," and that Chaney starred only in his first (1932's "The Last Frontier") and last, the 12 chapter Western "Overland Mail," for Universal in 1942 (reduced in stature as an evil henchman in all the others).

As serials go The Whispering Shadow is acceptable. Produced on a minuscule budget by Mascot Studios, an evil genius known as the Whispering Shadow - for he talks in a low voice and is ubiquitous it seems - is trying to get his hands on the famous jewels of the Czar. he will stop at nothing and his identity is not foreclosed until the final chapter. we are given several men as possible shadows. One is Bela Lugosi in his first serial. Lugosi plays the creator of waxworks out to get the jewels with the aid of his daughter - played by the perky and lovely Viva Tattersall. The leading man is the biggest problem as he has little acting ability. Malcolm McGregor plays jack Foster who is trying to find the Whispering Shadow to avenge his little brother's death. Foster feels guilt as he sent him on an assignment with peril. McGregor has no acting savvy whatsoever and he lunges in fight scenes with all the unbelievable gusto of fake wrestler. That notwithstanding the other actors are mediocre with some exceptions: Lugois makes every role of his interesting. Henry B. Walthall, the silent screen star, adds some credibility. Robert Warwick gives a workmanlike performance as a detective and Roy D'arcy plays an over-the-top radio scientist with glee and relish. The Whispering Shadow isn't as good as other serials of the time. it is undeniably cheap. Cheap special effects. Just get a look in Chapter One at the helicopter crash. How about Chapter 6 which is almost all flashbacks of previous seen footage. I must confess though that I wanted to see who was the Shadow and watched through with little problem. Some of the cheap effects, the shoddy acting, and the cheesy plot twists wormed their way into my heart. Lugosi would go on to several other serials, but this one gives him a primary role with some room to act. Let's face it a serial with death by rays given from a radio or a television cannot be all that bad. Good old-fashioned fun.

Here is another wonderful movie serial from the factory that perfected the genre at the dawn of sound... MASCOT PICTURES. There is such a superb story yet to be told in the life of both this studio and its young founder Nat Levine. It only existed from 1927 until 1935 but was the template for REPUBLIC PICTURES, both as a studio and as a serial factory. It was closed by ruthless Republic Founder Herbert J Yates when he foreclosed on them via his film lab Consolidated Film Laboratories to which MASCOT owed big film processing debts..... along with other small studios like MONOGRAM and LIBERTY. However in those early 30s, MASCOT created a genre .. the talkie action serial with sci fi effects and incredible miniatures by Howard and Theodore Lydecker. Yates lusted after it all to become a mini-Mayer type mogul and won the day by financial default to lump all his debtees together to make his studio in 1935. As a result REPUBLIC PICTURES was created and lasted until 1960 but clever little MASCOT was steamrolled, its talent poached and its style and film library stolen. Nat Levine was discarded in 1937 and bankrupt in 1939. Nobody from these other studios could work under Yates and even Monogram management escaped to GRAND NATIONAL and UNIVERSAL before re-forming in 1937. Levine was not yet 40 years old. He then went to manage cinemas... showing Monogram and Republic Pictures. How awful for him... and what a great biopic there is in this man's exciting young life. (Spielberg? Scorscese? HBO, hello?).....THE WHISPERING SHADOW is one of many spooky and elaborate labyrinth serials now turning up on Alpha Video DVD, a poverty row specialist that is releasing dvds made from old TV prints filmed directly off TV monitors and onto a DVD master. It seems to work well enough but I do believe there is a market for genuinely releasing these great 30s films properly from existing negs. Sometimes the movie version is available and this one is seen as MURDER BY TELEVISION. In the mean time, we can savor what is possible this way. As with HURRICANE EXPRESS or THE THREE MUSKETEERS especially the underworld sci fi cowboy movie serial epic (!) .....THE PHANTOM EMPIRE......... remade in 1936 as Republic's first serial UNDERSEA KINGDOM.THE WHISPERING SHADOW is a convoluted chase with eerie visuals and wonderful atmosphere. It also interestingly uses Television as a title and as a device which shows us in 2008 how advanced and aware the movie-going public was of TV itself, because to include it in a film so prominently in 1933 as realistic and exciting possibility is a surprise to most viewers today. From the same period is THE RETURN OF CHANDU and in 1937 THE SECRET OF TREASURE ISLAND (Columbia)... but the most absurd obscene and fully wacky is THE LOST CITY (1935). Enjoy! These ancient sci fi serials make great TV wallpaper at your next party.