Let's be realistic.

Excellent, a Must See

Pretty good movie overall. First half was nothing special but it got better as it went along.

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

While the western genre is not my favourite one of all film genres (not sure which one is my favourite due to trying to appreciate them all the same), there is a lot of appreciation for it by me. There are a lot of very good to great films, with the best work of John Ford being notable examples.In the late 50s, starting in 1956 with 'Seven Men from Now' and right up to 1960 with 'Comanche Station', lead actor Randolph Scott collaborated with director Budd Boetticher in seven films. For me, 1959's 'Westbound' is one of their weakest along with 'Decision at Sundown'. By all means it is a long way from terrible, it has a lot of great elements and is actually pretty decent. It just isn't in the same league as the wonderful 'Seven Men from Now', 'The Tall T' and 'Ride Lonesome' and doesn't have enough of what made those two so good, they had far better scripts and characterisation in particular as well as better supporting casts.Starting with the strengths, while not the best-looking of their outings, being smaller in scale and slightly too compact in its setting, 'Westbound' still looks pleasing. It is very nicely filmed, with some nice colour and atmosphere, and handsomely designed, it just lacks the visual grandeur of their best collaborations. The music, wonderfully perky and one of the best scores of the Scott/Boetticher western films, has presence and fits perfectly, while not being intrusive.Boetticher directs efficiently and mostly the film goes at a pace that isn't pedestrian. Numerous parts are suspenseful and fun, with some well choreographed action. The ending is effective. Scott brings likeability, charisma and intensity to his role and he is well supported by Karen Steele, oozing glamour, class and charm in the far better written of the female roles, and the wonderfully arch Michael Pate.However, the rest of the supporting cast are pretty feeble, definitely the weakest supporting cast of the Scott/Boetticher westerns. Virginia Mayo is wasted with hardly anything to do in a nothing role. Andrew Duggan's charisma-free performance is just as weak, liked him in 'Decision at Sundown' so what happened.The script, very like that for 'Decision at Sundown', is too wordy, lacking the meat and tautness of the scripts of the best Scott/Boetticher films, and can preach and be too basic. There is not enough depth to the characters, with only Scott's hero being developed enough and even then his motivation should have been explored more and more gripping. Mayo's role is especially sketchy and could have been written out. The story has a lot of great moments, but there is also some credibility straining, overload of simplicity and lack of tautness.Altogether, decent but had the potential to be much better. 6/10 Bethany Cox

The not so good first. The use of weaponry by all of the characters years before it was available. Much of the clothing appears more appropriate for a modern day dude ranch rather than the 1860's west (although I always love Randy's dark blue shirt, dark blue pants and yellow bandanna). The writing and characterizations just were not on a par with the other Scott/Boetticher efforts.The good news. This is a Randolph Scott western. None of the above matters. Enjoy!

As a fan of Virginia Mayo,I was disappointed :she has three or four scenes and that's it ;the real female lead is Karen Steele ,an OK actress but without her colleague's appeal."Westbound" is a very short western ,without a dull moment;some characters -not Mayo's ,too predictable- are interesting particularly the one-armed ex-soldier who keeps on repeating he is only the half of the man he used to be .Randolph Scott is good as usual as the loyal hero on a mission to send gold to the Yankees ,who takes under his wing the young couple exposed to a sinister-looking guy's violence.Budd Boetticher made the best of an average screenplay,much to his credit.

In "When In Disgrace" Boetticher writes:" As far as my films with Randolph Scott are concerned, I have never included Westbound, which in my opinion could have continued right on into the Pacific Ocean. Westbound was a mission of rescue, nothing more. It wasn't until after the third picture with Randy that I was told he had one more contractual obligation at Warner Brothers, and I considered that a disaster." I consider Westbound a successful rescue mission. If Boetticher could not do much with the story, he did it with the characters. Karen Steele is the hard working woman whose husband Michael Dante comes back from the war without an arm. Randolph Scott, whose mission is to bring gold to the Union using stagecoaches, helps them make a station. Andrew Duggan is a rich man married to Virginia Mayo, who in the past had an affair with Scott. He is a man of the Confederacy, who will do anything he can against Scott's mission. All the actors, specially the two women are excellent, making a strong impression with their characters. The music is absolutely great, very catchy. Boetticher maintains his standard of creating good action scenes. Definitely much more than just another Randolph Scott western.