If Beale Street Could Talk 2018 Audience Review

7.1

If Beale Street Could Talk

2018

Review

RadioIsh 3.5. Compared to Moonlight, the increased cost makes photography more beautiful, especially the various slow shots and color collocation, coupled with the best music of Nicholas Britell's career, easy to love. However, compared to Moonlight's simple story about a boy growing up, Barry Jenkins wants to tell too much, which is love and love, family conflict, feminism, and political appeal. Instead, it is a little messy, and the ending is especially frustrating

Snazzy Slaxx After watching it for about 20 minutes, I was sure THAT I would like this movie. Every time I saw this young couple, I could not help smiling. It was so gentle. It may not be perfect, but it's the best TIFF I've ever had. I even walked out of the theater thinking every black person on the street was so cute... As a deeply anti-politically correct viewer, the film made me empathize. Black love is beautiful.

Billy Hoyle Better than Moonlight boy. The usual, black protagonists are harmless white lotus flowers, wronged and despised. It's gone out of fashion. You need to soften it up, like the Green Book or Escape Town.

Bad Guy Banal, bloated banal, overused with melodies and wide apertures, the pair are like two beautifully arranged vases, barely discernable at all. The theme is also completely as pure as moonlight, outside hanging a literary aesthetic love film skin, the inherent is to tell the story of racial discrimination and political correctness. I saw a lot of movies directed by black people this year, almost all of which focused on how white police officers shot or wronged black people. If all black movies are about how they're being discriminated against, I'm not going to watch them anymore. And those who say he looks like Wong Kar-wai are missing the point of sunglasses. Barry Jenkins is 12 years behind Wong Kar-wai by a hundred years. 5

Joker Choker White directors and black directors are indeed different when facing the issue of racial discrimination, both with mild tone, but never with muddy attitude (compare green Book). Although it is a very dramatic case, the creator is obviously extremely restrained and tries to dilute the dramatic conflict. Instead, he tries to portray the feelings of the hero and heroine and create the atmosphere of discrimination, which actually affects the impression.

9er faithful I'm really tired of the director's style, and I don't think it's worth digging deeply. The copy of Moonlight boy is Oscar BP, at least, and I don't see a breakthrough, only the victim's emotion that the director gushing to the audience. The green Book next door is much better.

Drew Under the fame, the director can still highly maintain their own outstanding artistic taste and personal style, it is rare. The story is not about race, but about redemption and forgiveness rooted in family and love. The whole film from the music, mirror to the picture have done delicate and delicate, soft and not exaggerated; The scenes of love and love sometimes make you blush.

Loretta The main melody is played, the bright yellow love is still young and gorgeous, and the story without any waves is about another black sexual assault case, and he is trying to clean his own name. Anyway, movies about black people are anti-racial, which is really boring.

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